{"id":227,"date":"2011-10-03T22:40:09","date_gmt":"2011-10-03T20:40:09","guid":{"rendered":"http:\/\/www.demusica.es\/?p=227"},"modified":"2011-10-03T22:40:27","modified_gmt":"2011-10-03T20:40:27","slug":"227","status":"publish","type":"post","link":"https:\/\/www.demusica.es\/?p=227","title":{"rendered":""},"content":{"rendered":"

\"\"<\/a><\/strong><\/p>\n

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\u00a0<\/strong><\/p>\n

ESCRITOS Y ART\u00cdCULOS<\/strong><\/p>\n

\u00a0<\/p>\n

Los Secretos del Viol\u00edn.<\/a> F\u00c9LIX AYO.
\nUna interesante visi\u00f3n de un interesante violinista.<\/p>\n

Fundamentos Posturales del Viol\u00edn.<\/a> JES\u00daS \u00c1NGEL LE\u00d3N.
\nUn peque\u00f1o resumen sobre la cololocaci\u00f3n y los movimientos del violinista<\/p>\n

Partes del viol\u00edn<\/a><\/p>\n

Un estuche para explosivos. <\/a><\/p>\n

ARTE: CREACION. Dos creadores dos interpretes. Nicolo Paganini y Franz Liszt <\/a>
\n
\nDisipando el misterio que rodea a los violines Stradivarius <\/a>
\n
\nEl esfuerzo cardiaco de un musico en un concierto <\/a><\/p>\n

Una Semblanza de Jascha Heifetz <\/a><\/p>\n

Sevcik <\/a><\/p>\n

Frases c\u00e9lebres sobre la M\u00fasica<\/a>
\n
\nConsideraciones generales sobre el aprendizaje instrumental <\/a><\/p>\n

De luces y sombras en la musica instrumental del primer Barroco <\/a><\/p>\n

La m\u00fasica mejora el aprendizaje y la memoria en la infancia<\/a>
\n
\nLa m\u00fasica y lo ni\u00f1os <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 \u00a0 \u00a0 ESCRITOS Y ART\u00cdCULOS \u00a0 Los Secretos del Viol\u00edn. F\u00c9LIX AYO. Una interesante visi\u00f3n de un interesante violinista. Fundamentos Posturales del Viol\u00edn. JES\u00daS \u00c1NGEL LE\u00d3N. Un peque\u00f1o resumen sobre la cololocaci\u00f3n y los movimientos del violinista Partes del viol\u00edn Un estuche para explosivos. ARTE: CREACION. Dos creadores dos interpretes. Nicolo Paganini y Franz…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[30,1],"tags":[],"class_list":["post-227","post","type-post","status-publish","format-standard","hentry","category-articulos","category-violin"],"_links":{"self":[{"href":"https:\/\/www.demusica.es\/index.php?rest_route=\/wp\/v2\/posts\/227","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.demusica.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.demusica.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.demusica.es\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.demusica.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=227"}],"version-history":[{"count":3,"href":"https:\/\/www.demusica.es\/index.php?rest_route=\/wp\/v2\/posts\/227\/revisions"}],"predecessor-version":[{"id":231,"href":"https:\/\/www.demusica.es\/index.php?rest_route=\/wp\/v2\/posts\/227\/revisions\/231"}],"wp:attachment":[{"href":"https:\/\/www.demusica.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=227"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.demusica.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=227"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.demusica.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=227"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}